omstreeks 1482
Het Laatste oordeel
Jheronimus Bosch
Bosch Project
The Last Judgment
techniek: Oil on Oak, 164.0 x 127.0 cm
For this triptych, Bosch opted, as he often did, for a narrative structure. In three acts he outlines humanity’s history. The paradisiacal beginnings appear on the left: the creation of the first human couple, Adam and Eve; their Fall from divine grace; and their banishment from the Garden of Eden. The consequences of these dramatic events can be seen in the middle. The evil that was once let loose on the world, now - at the End of Days - has full control. Christ judges the people from high in the heavens. Who has given in to sin and who has held onto goodness? Only a fraction of souls are carried into eternal glory by angels (top left). The right-hand panel depicts the destination of the godless. They will experience eternal torment in hell. |  |
boschproject.org
Literatuur en bronnenpublicaties
Eric de Bruijn, De vergeten beeldentaal van Jheronimus Bosch (2001) 52
Dino Buzatti (inleiding), Kunstklasiekers : Bosch (2005) 92-95
Edward Cohen, De grote meesters : Jeroen Bosch (1975) 52-53 (nr. 21)
Matthijs Ilsink, Jos Koldeweij, Ron Spronk, Luuk Hoogstede, Robert G. Erdmann, Rik Klein Gotink, Hanneke Nap and Daan Veldhuizen, Hieronymus Bosch, Painter and Draughtsman. Catalogue Raisonné, Brussels 2016, pp. 290-306.
Matthijs Ilsink en Jos Koldeweij, Jheronimus Bosch : Visioenen van een genie (2016) 159
Stefan Fischer, Hieronymus Bosch: Complete Works, Cologne 2013, pp. 157-170, 250-251.
Jos Koldeweij, ‘St Bavo on the Vienna Last Judgment unmasked as St Hippolytus’, in Jo Timmermans (ed.), Jheronimus Bosch. His Patrons and his Public, 3rd International Jheronimus Bosch Conference. September 16-18, 2012, ’s-Hertogenbosch 2014, pp. 400–433.
Carl Linfert, Hieronymus Bosch (1971) 26, 88-95
Roger H. Marijnissen and P. Ruyffelaere, Hieronymus Bosch: the Complete Works, Antwerp 1987, pp. 214-218.
R. Michaelis, ‘Studien zum Berliner Weltgerichtsaltar des Lucas Cranach’, Aachener Kunstblätter 58 (1989), pp. 115–132.
Ella Nash (vertaling), Hieronymus Bosch (2004) 62-63
Margarethe Poch-Kalous, Hieronymus Bosch in der Gemäldegalerie der Akademie der bildenden Künste in Wien, Vienna 1967 (Bildhefte der Akademie der bildenden Künste in Wien, 1).
Margarethe Poch-Kalous, ‘Randbemerkungen zum “Weltgerichts-Triptychon” von Hieronymus Bosch’, in Akademie der bildenden Künste in Wien, 1872-1972. 100 Jahre Hochschulstatut. 280 Jahre Akademie der bildende Künste in Wien, Vienna 1972, pp. 200–203.
Larry Silver, Hieronymus Bosch, New York/London 2006, pp. 234-237, 337-348.
Renate Trnek, ‘Patron Lost: First Insights into the Underdrawings of the Last Judgement Triptych by Jheronimus Bosch in Vienna’, in Jo Timmermans (ed.), Jheronimus Bosch. His Patrons and his Public, 3rd International Jheronimus Bosch Conference. September 16-18, 2012, ’s-Hertogenbosch 2014, pp. 264–279.
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