Het Laatste oordeel
Jheronimus Bosch
Bosch Project
The Last Judgment
techniek: Oil on Oak
Closed, this triptych bears a grisaille of the Crowning with Thorns. Christ is seated, surrounded by six executioners, and a balding man places the barbed crown on his head. On the triptych’s interior, belief in Christ determines the fate of souls as angelic trumpets sound the Last Judgment. Christ is enthroned as the judge above a world in the throes of the end times. Chaos rules, and humanity is at evil’s mercy: The devil strikes his final blow. To the left and right of this scene, we see the destinations of the judged: Paradise, on the panel to the viewer’s left, appears as the portal to heaven, where souls of the redeemed are accepted into eternal light. On the right-hand panel rage the murky fires of hell reserved for the damned. |  |
boschproject.org
Groeningemuseum
Het Laatste oordeel
vervaardiger: Jheronimus Bosch
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Brugge, Groeningemuseum
Literatuur en bronnenpublicaties
Dino Buzatti (inleiding), Kunstklasiekers : Bosch (2005) 106-109, 174
Edward Cohen, De grote meesters : Jeroen Bosch (1975) 55 (nr. 24)
Gerrit van Hoven Bosch was hier (2013) 64-65
Matthijs Ilsink, Jos Koldeweij, Ron Spronk, Luuk Hoogstede, Robert G. Erdmann, Rik Klein Gotink, Hanneke Nap and Daan Veldhuizen, Hieronymus Bosch,
Painter and Draughtsman. Catalogue Raisonné, Brussels 2016, pp. 278-289.
Matthijs Ilsink en Jos Koldeweij, Jheronimus Bosch : Visioenen van een genie (2016) 164-169 (nr. 49)
Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap and Daan Veldhuizen, Hieronymus Bosch, Painter and Draughtsman. Technical Studies, Brussels 2016, pp. 230-249.
Stefan Fischer, Hieronymus Bosch: Complete Works, Cologne 2013, pp. 264-265.
Aquilin Janssens de Bisthoven, M. Baes-Dondeyne and D. De Vos, De Vlaamse primitieven, 1: Corpus van de vijftiende-eeuwse schilderkunst in de Zuidelijke Nederlanden. Stedelijk Museum voor Schone Kunsten (Groeningemuseum), Brugge, Brussels 1981, pp. 68-84, 168-184.
Didier Martens, ‘Fragmentos de un museo desaparecido: los Primitivos flamencos del cardinal Despuig’, Goya, 2013, nr. 344, pp. 191–207.
Pilar Silva Maroto (ed.), Bosch. The 5th Centenary Exhibition, Madrid 2016, pp. 318-321 (Till-Holger Borchert).
Ella Nash (vertaling), Hieronymus Bosch (2004) 59
Larry Silver, Hieronymus Bosch, New York/London 2006, pp. 357-359.
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